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Showing posts with label brainstorming. Show all posts
Showing posts with label brainstorming. Show all posts

Friday, May 16, 2008

Planning Your Essay

copyright 2008 by Gary L. Pullman


Audrey Hepburn as Eliza Doolittle in My Fair Lady

High school teachers and college instructors complain about students' essays being disorganized, unsupported, and undeveloped. In other words, they complain that students' writing is unfocused, vague, and general. If you use the principles we identified in "Essay Patterns of Development," your essay won't have these problems. However, it is often difficult for students to generate enough details to support and develop their thesis and topic sentences fully and completely. As a result, teachers and instructors conclude that the students' claims (thesis and topic sentences) are unconvincing or unsubstantiated. In this post, we will show how planning your essay can provide the specificity (the specific details) that are needed to make your claims convincing to your readers (in school, usually your teachers, instructors, and, sometimes, fellow students).

Let's assume that, using the "Three-Step Brainstorming Process" or the "Thesis Trident," you have generated this thesis concerning two movies, My Fair Lady and She's All That, that you watched in class:

In both movies, a bet results in the antagonists’ transformation, which, in turn, leads to the protagonists’ transformation.

This thesis, in turn, becomes the basis for developing these three topic sentences:

The main characters bet that they can transform the antagonists.
As a result of the bet, Eliza and Laney are transformed.
The antagonists’ transformations transform the protagonists.
Now, select examples from the movies that illustrate each of these topic sentences:

The main characters bet that they can transform the antagonists.

Professor Higgins bets Colonel Pickering that he (Professor Higgins) can pass Eliza Doolittle off as a “duchess at the embassy ball.”

Professor Higgins teaches Eliza to speak properly.

He uses rote learning (memorization) techniques to teach her to pronounce words
correctly.
He insists that she practices pronunciation drills.
He assigns her appropriate conversation topics.
Professor Higgins teaches Eliza to act like a lady.

He directs his housekeeper to bathe Eliza.
Professor Higgins and Colonel Pickering pick out dresses for Eliza to wear.
Professor Higgins teaches Eliza to behave properly.
He rehearses Eliza at the Ascot racetrack.
Eliza is in mixed company, among high society folk.
Eliza fails the test.
Professor Higgins faces a penalty if he loses the bet.

He would have to pay his own expenses.
He would have to set Eliza up as a flower shop owner.
Zach Siler bets Dean Sampson that he (Zach) can make Laney Boggs their high school’s annual prom queen.
Zach helps Lanie to socialize.
To help her to become more popular, Zach introduces Lanie to his friends.
Zach faces a penalty if he loses the bet: he must appear naked at his high school graduation ceremony.
As a result of the bet, Eliza and Laney are transformed.
Eliza develops self-esteem and self-confidence, and she becomes more assertive.

When Freddie Eynsford-Hill and the prince at the embassy ball are attracted to her, Eliza understands that men can find her attractive, which increases her self-esteem.
When Colonel Pickering treats Eliza courteously, she understands that she is worthy of being treated with respect, which also enhances her self-esteem.
When Eliza passes herself off as a princess at the embassy ball, she gains self-confidence.
When Eliza realizes that she can act independently of Professor Higgins, she becomes more assertive.
Lanie becomes more outgoing and more popular, gaining self-esteem and assertiveness.

Zach accompanies Lanie to the theater and takes her to the beach, where she must
interact with her peers.
Zach introduces Lanie to his friends, who are members of the in-crowd.
Although Lanie does not win the title of prom queen, she is a close runner-up, which suggests that she has gained a good deal of popularity.
Lanie gains enough assertiveness to stand up for her values, even if they make her less popular.

The antagonists’ transformations transform the protagonists.

Professor Higgins comes to think of Eliza as a person.
After Eliza stands up to him, showing him that she is an independent individual deserving of respect, Professor Higgins is attracted to Eliza.He begins to treat her with respect.
He wants to become friends with her because of who she is rather than because of what he may gain from his association with her.

Zach falls in love with Lanie.
After Lanie insists upon living according to her own values, Zach respects her
as a person.
He wants to become friends with her because of who she is rather than because of what he may gain from his association with her.
By planning your essay ahead of time, thinking of the various examples from the movies themselves that you can use to support and develop each of your essay's topic sentences, you have generated a lot of specific material that will make your claims (thesis and topic sentences) convincing to your readers. In fact, the essay has almost written itself. Basically, all you have left to do is to write an introductory paragraph and a concluding paragraph, add transitions, and add any additional examples that come to mind as you write the first draft of your essay. The result might be something like this (the thesis is in bold font; the topic sentences are underlined):



A Lady Is As A Lady Does

by Gary L. Pullman

What is a lady? In part, the answer to this question depends upon the society in which a woman lives, for this term is defined by others--the members of the upper class--who determine what it shall mean. The definition of the term "lady" is likely to change with the times, and it is also likely to differ from one place to another. In nineteenth-century London's high society, being a lady meant something far different than being a lady meant among the in-crowd of a twentieth-century American high school. In both cases, those who had the power to define the social significance of other people's status, or standing, in society defined which women could be considered ladies and which could not be considered to be such. Often, such distinctions are based upon arbitrary, superficial standards. In the movie My Fair Lady, it is mostly how a woman appears and acts that determines whether she shall be considered a lady, whereas, in She's All That, it is largely a matter of whether a girl is popular among her peers that determines whether she shall be considered a lady. The absurdity and superficiality of these social class distinctions is made clear by the idea that a woman can change stations as a result of subterfuge and artifice. In both movies, a bet results in the antagonists’ transformation, which, in turn, leads to the protagonists’ transformation.

The main characters bet that they can transform the antagonists. Professor Higgins bets Colonel Pickering that he (Professor Higgins) can pass Eliza Doolittle off as a “duchess at the embassy ball.” Professor Higgins teaches Eliza to speak properly. He uses rote learning (memorization) techniques to teach her to pronounce words correctly. He insists that she practices pronunciation drills. He assigns her appropriate conversation topics, advising her to speak only about "the weather and everyone's health." Professor Higgins teaches Eliza to act like a lady. He directs his housekeeper to bathe Eliza. Professor Higgins and Colonel Pickering pick out dresses for Eliza to wear. Professor Higgins teaches Eliza to behave properly, teaching her the difference between a handkerchief and her sleeve. He rehearses Eliza at the Ascot racetrack. Eliza is in mixed company, among high society folk.Eliza fails the test. Professor Higgins faces a penalty if he loses the bet. He would have to pay his own expenses.He would have to set Eliza up as a flower shop owner. Zach Siler bets Dean Sampson that he (Zach) can make Laney Boggs their high school’s annual prom queen. Zach helps Lanie to socialize. To help her to become more popular, Zach introduces Lanie to his friends. Zach faces a penalty if he loses the bet: he must appear naked at his high school graduation ceremony.

As a result of the bet, Eliza and Laney are transformed. Eliza develops self-esteem and self-confidence, and she becomes more assertive. When Freddie Eynsford-Hill and the prince at the embassy ball are attracted to her, Eliza understands that men can find her attractive, which increases her self-esteem. When Colonel Pickering treats Eliza courteously, she understands that she is worthy of being treated with respect, which also enhances her self-esteem. When Eliza passes herself off as a princess at the embassy ball, she gains self-confidence. When Eliza realizes that she can act independently of Professor Higgins, she becomes more assertive. Lanie becomes more outgoing and more popular, gaining self-esteem and assertiveness. Zach accompanies Lanie to the theater and takes her to the beach, where she must interact with her peers. Zach introduces Lanie to his friends, who are members of the in-crowd. Although Lanie does not win the title of prom queen, she is a close runner-up, which suggests that she has gained a good deal of popularity. Lanie gains enough assertiveness to stand up for her values, even if they make her less popular.

The antagonists’ transformations transform the protagonists. Professor Higgins comes to think of Eliza as a person. After Eliza stands up to him, showing him that she is an independent individual deserving of respect, Professor Higgins is attracted to Eliza. He begins to treat her with respect. He wants to become friends with her because of who she is rather than because of what he may gain from his association with her. Zach falls in love with Lanie. After Lanie insists upon living according to her own values, Zach respects her as a person. He wants to become friends with her because of who she is rather than because of what he may gain from his association with her.

Both My Fair Lady and She's All That show that the powerful, whether they are the members of society's upper class or the most popular crowd in a high school, determine the social status of others, including women. Whether a woman is to be considered a lady and is to be treated accordingly depends not so much upon who she is herself as it does upon what others--the social elite--think of her. These movies suggest that social class distinctions are often based upon superficial, or even absurd, standards, such as one's appearance, manner of speech, and popularity. Nevertheless, these distinctions have real effects both upon how women are treated by others and upon how they think and feel about themselves. These movies also show the power of love to transform others, for it is when Professor Higgins truly becomes friends with Eliza and when Zach falls in love with Lanie that their feelings for the women they’ve transformed into ladies allow the ladies to transform them into men who care about them as people rather than as creations whose transformations reflect nothing more than their winning of a cruel bet. Love, not appearance, dress, manner, and popularity, these movies suggest, is the basis for real relationships and significant transformation.

Rachel Leigh Cook as Lanie Boggs in She's All That

Tuesday, May 13, 2008

The Thesis Trident

copyright 2008 by Gary L. Pullman

Before writing an essay, give careful planning, both to the thesis (what you want to say--the claim that you are making about your essay's topic) and what you want to say about it (including the evidence you intend to present in support and development of the claim, or thesis). We saw how, in an earlier post, you can profit from brainstorming about your essay's topic in order to generate a thesis for it and details of support and development for the thesis. In this post, we are considering how outlining your topic can be helpful in supporting and developing a thesis.

In "A Three-Step Brainstorming Process," we learned how to use three simple steps to generate a thesis for any type of essay.

In this post, we introduce another simple, sure-fire way of generating a thesis for any type of essay, the Thesis Trident.

Contruct a trident like this:

At the top, write the essay's topic. In this case, the essay (a comparison-contrast essay) that deals with two movies, My Fair Lady and She's All That, so we write "My Fair Lady and She's All That" (without the quotation marks) at the top of the Thesis Trident:


My Fair Lady and She's All That


At the end of each point of the Thesis Trident, write one of the three related points that will make up your thesis' plan of development. Here, we have chosen these three points:
  1. Bet
  2. Antagonists' transformations
  3. Protagonists' transformations
Therefore, we place one of these points at the end of each of the Thesis Trident's three points.
My Fair Lady and She's All That
Now, by reading in a counter-clockwise direction (around to the right, from the top to the bottom right side of the Thesis Trident) and inserting necessary words, such as a verb, any prepositions, conjubctions, articles, and other connecting words, we the Thesis Trident all but generates a thesis sentence for us:
In My Fair Lady and She's All That, bets result in the antafonists' transformations, which, in turn, lead to the protagonists' transformations.
Viola! You've generated a sound, clear, specific, three-point thesis sentence for a comparison-contrast essay concerning the bets between characters and the outcomes of those bets in these two movies. Again, the Thesis Trident can be used to generate a thesis sentence for any kind of essay.

A Three-Step Brainstorming Process

copyright 2008 by Gary L. Pullman

Brainstorming is a way to generate a thesis sentence for an essay and the material that you need to support and develop the essay’s topic sentences. There are several ways to brainstorm, but one of the most effective involves these three steps:
  1. List
  2. Group
  3. Use your imagination to create a situation that provides a purpose for your essay to create your thesis

When necessary, step one or step two (or, for that matter, step three) may be repeated.

Let’s try an example to see how this three-step brainstorming process works.

We’ll select a topic about which most high school and college students know quite a bit--horror movies. According to the first step, we should generate a list of such movies. List as many as possible. This step can be accomplished individually or in small groups or, if the teacher or instructor allows, as an entire class exercise.

Here’s a possible list of horror movies, in no particular order, the title of each added as it came to mind (remember that the titles of a long literary work, such as a movie, is underlined or italicized):

  • Alien
  • The Exorcist
  • The Birds
  • Psycho
  • Carrie
  • The Howling
  • Dracula
  • Frankenstein
  • The Mummy’s Curse
  • Poltergeist
  • The Others
  • I Know What You Did Last Summer
  • Descent
  • The Hills Have Eyes
  • Them!
  • The Blob
  • Texas Chainsaw Massacre
  • The Ring
  • The Shining
  • The Thing
  • The Abominable Dr. Phibes
  • Burn, Witch, Burn
  • Needful Things
  • ‘Salem’s Lot
  • Halloween
  • A Nightmare on Elm Street
  • Night of the Living Dead
  • Saw
  • Jaws

Now, let’s repeat step one, listing the monster or the antagonist that appears in each movie:

  • Alien--extraterrestrial
  • The Exorcist--devil
  • The Birds--birds
  • Psycho--mad kille
  • Carrie--telekinetic girl
  • The Howling--werewolves
  • Dracula--vampire
  • Frankenstein--monster assembled from parts of dead bodies
  • The Mummy’s Curse--mummy
  • Poltergeist--poltergeist
  • The Others--ghosts
  • I Know What You Did Last Summer--mad killer
  • Descent--trolls
  • The Hills Have Eyes--mutant cannibals
  • Them!--giant ants
  • The Blob--extraterrestrial
  • Texas Chainsaw Massacre--mad killer
  • The Ring--ghost
  • The Shining--ghosts
  • The Thing--extraterrestrial
  • The Abominable Dr. Phibes--mad killer
  • Burn, Witch, Burn--witch
  • Needful Things--devil
  • ‘Salem’s Lot--vampires
  • Halloween--bogeyman
  • A Nightmare on Elm Street--bogeyman
  • Night of the Living Dead--zombies
  • Saw--mad killer
  • Jaws--shark

After listing as many horror films as you can think of, perform step two, which is to group. Think of a way to group the movies on your list. For example, they could be listed by the type of monster or antagonist (natural, paranormal, or supernatural) that each film has.

At this point, one may ask what is the difference between the paranormal and the supernatural. The answer is that the paranormal is considered an aspect of the natural world (the universe) but that its basis is currently unknown and, therefore, cannot be explained scientifically at present. The supernatural also cannot be explained scientifically, but it is believed to belong to a reality that is above and beyond, outside of, and transcendent to the natural world, or universe. A materialist (one who believes that only matter and energy, which are interchangeable states or substances, exist) will not accept the possibility of supernatural powers, forces, or entities. A dualist (one who believes in both matter and energy and spirit) can, and frequently does, accept the possibility of supernatural powers, forces, and entities. (“There are more things in heaven and earth than are dreamt of in your philosophy,” the dualist, paraphrasing Hamlet, might tell the materialist, to which the materialist might reply, “There is no ghost in the machine.”) A good place to make clear the distinction between the paranormal and the supernatural would be your introductory paragraph.

With this matter settled, we can now decide which of the horror movie monsters or antagonists belongs to each of these three types, natural (N), paranormal (P), or supernatural (S), but, remember, nature to the scientist, includes everything in the universe, the universe itself included:

  • Alien--extraterrestrial (N)
  • The Exorcist--devil (S)
  • The Birds--birds (N)
  • Psycho--mad killer (N)
  • Carrie--telekinetic girl (P)
  • The Howling--werewolves (S)
  • Dracula--vampire (S)
  • Frankenstein--monster assembled from parts of dead bodies (N)
  • The Mummy’s Curse--mummy (S)
  • Poltergeist--poltergeist (P)
  • The Others--ghosts (P)
  • I Know What You Did Last Summer--mad killer (N)
  • Descent--trolls (N)
  • The Hills Have Eyes--mutant cannibals (N)
  • Them!--giant ants (N)
  • The Blob--extraterrestrial (N)
  • Texas Chainsaw Massacre--mad killer (N)
  • The Ring--ghost (P)
  • The Shining--ghosts (P)
  • The Thing--extraterrestrial (N)
  • The Abominable Dr. Phibes--mad killer (N)
  • Burn, Witch, Burn--witch (S)
  • Needful Things--devil (S)
  • ‘Salem’s Lot--vampires (S)
  • Halloween--bogeyman (S)
  • A Nightmare on Elm Street--spirit (P)
  • Night of the Living Dead--zombies (S)
  • Saw--mad killer (N)
  • Jaws--shark (N)

Now, during step three, we imagine a situation that would give us a reason, or purpose, for writing about such a topic. Let’s assume that cousin Melba, who lives abroad and who has heard of, but never seen, a horror movie is coming to the United States to visit. Upon her arrival, you ask her what she would like to do, and she says, “See the scariest horror movie ever made!” Consider your three types of horror monsters or villains: natural, paranormal, and supernatural. Which is likely to be the most frightening of all? (I have used this exercise in several composition classes, and the answers tend to vary; at least one class has picked each type at one time or another. They vote, and the majority wins. After the issue has been thus decided, I ask for three reasons as to why the majority considers the type of monster or antagonist they chose as most frightening is, in their view, the scariest.)

Let’s say that you decide that the natural horror movie villain is the most frightening. Now, give three reasons as to why you think this is true:

  • It is believable.
  • It is realistic.
  • It could be encountered in the everyday world.

Viola! You now have a thesis for an evaluation essay, in which, contrasting three types of horror movie monster or villain, you will argue that the natural antagonist is more frightening than the paranormal or supernatural alternatives. (Important! Remember that your thesis must have a purpose; it can't be simply a list of related points; the purpose of this thesis is to suggest why one type of horror movie villain is more frighetning than others, and your essay will use reasons and examples to make this claim clear and persuasive to your reader.) Your thesis (with the three points, each in a different color and underlined) might read:

Although paranormal and supernatural horror movie monsters are frightening, the natural villain is more terrifying still, because it is realistic, it is believable, and it could be encountered in everyday life.

But, as they say in infomercials, That’s not all!

You also have quite a list of examples of horror films and their respective monsters or antagonists that you can use, once you expand upon them, as material to support and develop your essay’s thesis and topic sentences.

Remember the three steps:

  1. List
  2. Group
  3. Use your imagination to create a situation that provides a purpose for your essay to create your thesis

These steps can be used to generate a thesis for any type of essay, whether the essay is:

  • Analysis
  • Argumentation
  • Causal analysis (cause-effect)
  • Classification (usually used with division)\
  • Comparison (usually used with contrast)
  • Contrast (usually used with comparison)
  • Definition
  • Description
  • Division (usually used with classification)
  • Evaluation
  • Exemplification, or illustration'
  • Narration
  • Persuasion
  • Process analysis (“how to”)